An American diplomat-friend wrote to me after reading an article of mine in Gulf News on Arnab Goswami’s Newshour: “Sounded like you are describing Fox News.” Not entirely sure if I got it, she added: “Fox is not about news, but propaganda.” A reader from Dubai quipped on the same day: “I tried to watch it yesterday for the first time, what you rightly describe as nightly tyranny. I was unable to bear the rage for more than 10 minutes.... The nation is in a murderous mood throughout.”
Arnab seems to provoke intense responses of revulsion and dismay among most people. So far, I haven’t come across anyone who has defended his programme. In spite of the near-universal abhorrence of Newshour, its popularity is soaring, or so it appears. Moreover, the proliferation of Arnab clones on TV screens across India in regional language channels has further complicated the enigma of the master of the monologue. What is the magic formula that attracts middle-class India to this obnoxious melodrama? (A Google search for ‘melodrama’ threw up a sentence that perfectly captures Newshour—“a sensational dramatic piece with exaggerated characters and exciting events intended to appeal to the emotions”). More difficult to explain is the pathological masochism that spurs many otherwise intelligent and self-respecting Indians (and some Pakistanis) to subject themselves to this public humiliation on a regular basis?
At least two components of the magic formula are very much in currency in Indian public life today, defining in many ways the unmaking of pluralist India. First, the appeal of hyper-orgasmic spasms of simulated patriotism coupled with expressions of murderous wrath against real or imagined enemies. This spurious patriotism has, among other things, emboldened Arnab to shamelessly advocate a ban on the documentary India’s Daughter on the one hand and to openly accuse constitutionally elected people’s representatives from Kashmir of sedition on the other, merely because they argued that people could not be kept illegally in jail forever. Both these are bizarre instances—the editor-in-chief of a media house vehemently crusading for a ban on free speech and for the indefinite incarceration of dissenters. He almost seems to suggest that the best way to quell anti-India feelings in Kashmir would be to turn the whole of the Valley into a humongous jail for eternity.
The meticulous cultivation of a larger-than-life and holier-than-thou persona endowed with superhuman qualities is the second component of the magic formula. The modus operandi perfected by the various incarnations of Narcissus varies, ranging from the sophisticated to the crude. Arnab obviously settled for the latter, wearing his omniscience and rectitude on his lips, eyes and fingers, and if that fails to intimidate his hapless guests, he will tell them on their face that they are ignorant, anti-national, or whatever else he decrees they are. The next stage is outright gagging, where you will either not speak at all or yell along with the other panelists and the anchor. The smarter ones (Alas, they are few!) prefer silence as that will do lots of good for their vocal chords, besides being better understood by the viewers!