Humility is not a peculiar habit of self-effacement...it is self-less respect for reality, and one of the most difficult and central of all virtues - Iris Murdoch in The Sovereignty of Good (1970) ///
Pain make man think. Thought make man wise. Wisdom make life endurable - Sakini, in The Tea House of the August Moon (John Patrick (1953)
Thursday, June 19, 2014
'Killing the chicken to scare the monkey'- world-famous Chinese artist Ai Weiwei on Self-Censorship // Press Freedom In China Continues To Deteriorate
'Intimidation is the most efficient tool for those in power to scare away people’s sense of independence. Not only can they successfully expunge ideas from the public sphere and purge those who dare to express these ideas and attitudes, they can also brainwash anyone who simply wants to function as a part of society' : Ai Weiwei
NB - the struggle against censorship and for freedom of thought has to be global, or it cannot succeed - DS
It's been a bad month for critics of the Chinese government, starting with the flood of arrests ahead of the Tiananmen Square anniversary. Now officials are battling a single man: their longtime opponent, the world-famous artist Ai Weiwei. This month, Ai withdrew his work from a show at Beijing's influential Ullens Center for Contemporary Art, a tribute to the late scholar Hans Van Dijk, with whom he worked closely. It was a move made in protest: In a series of correspondences that surfaced online, UCCA chief Xue Mei admitted to removing Ai's name from a press release, bowing to pressure from the Propaganda Department of the Central Committee of the Communist Party of China. The incident follows a similar one this spring, when Ai's name and work were "wiped" from a retrospective in Shanghai to placate the government. In an email to the Huffington PostAi analyzed the culture of "self-censorship" at play in China's art world, drawing a line between the government's actions and an old Chinese saying, which translates to "killing the chicken to scare the monkey."
On Self-Censorship By Ai Weiwei
Censorship in China is enforced 24 hours a day, and operates in every channel of communication. Its impact resounds in all forms of individual expression related to the public, be it a publication, an art show, or a website. For over 60 years, policies of censorship have been a pervasive part of society throughout the nation.
Within a month, my name has been omitted from two exhibitions in China. Most recently, the Ullens Center for Contemporary Art (UCCA) in Beijing was showing three of my pieces in an exhibition commemorating an old friend and colleague, but were afraid to mention my name and my relationship with the institution that my friend and I built together -- the first Chinese contemporary art institution ever created.
When these incidents are observed as part of a bigger picture, the severity of the issue can be clearly understood. This strict censorship of information and expression affects not only myself, but the artist community and the whole of society. For mixed reasons, institutions are self-censoring in order to survive, some even to reap benefits.
In a conversation with Philip Tinari, director of the UCCA, he mentioned “threats” from above that led to the omission of my name in the exhibition. In China, party policies may not affect you as an individual, but work through your organization, your landlord, your relatives and your associates. Even if you act independently, the power influences those around you.
Intimidation is the most efficient tool for those in power to scare away people’s sense of independence. Not only can they successfully expunge ideas from the public sphere and purge those who dare to express these ideas and attitudes, they can also brainwash anyone who simply wants to function as a part of society. In order to gain financial and personal security, people need to conform to behavioral standards without asking any questions or attempting to tell right from wrong. Censorship is a system that creates absolute power and paralyses society, removing the people’s courage to make judgments or bear social responsibility.
Censorship and self-censorship act together in this society to ensure that independent thinking and creativity cannot exist without bowing to authority. More often than not, self-censoring and the so-called threats related to it, are based on a memory or a vague sense of danger, and not necessarily a direct instruction from high officials. The Chinese saying sha ji jing hou puts it succinctly: killing the chicken to scare the monkey. Punishing an individual as an example to others again incites this policy of intimidation that can resound for lifetimes and even generations.
Unlike most parts of the world, China’s internet is based on local area networks (LAN), but even this limited information flow is already making the authorities extremely nervous. Not only does online censorship go against the essential character of the Internet, it has already led to many arrests and sentences in persecution of freedom of expression. As a result, self-censorship is on the rise, while the demand for freedom grows at an equally rapid pace. These are parallel challenges facing us in the materialistic world in which we live.
The latest report from the Foreign Correspondents' Club of China shows no improvement in the conditions for journalists in the country. The FCCC, which represents 122 news organizations worldwide, found that a staggering 99 percent of participants feel that conditions in China for media personnel do not meet international standards. Eighty percent reported feeling like conditions have gotten worse or stayed the same. Read the full FCCC report here.The survey showed a 10 percent increase in people who felt that conditions were deteriorating compared to last May. Respondents reported experiencing attempts to preempt their coverage, restrictions on travel, blocking of websites and harassment of news assistants and sources. More than half of respondents with news assistants said that their assistants have experienced at least one instance of harassment or intimidation. "I and several other journalists were manhandled away from the Malaysian Embassy in Beijing by plainclothes and uniformed police when reporting on the MH370 relatives' protest in April 2014," Calum MacLeod of USA Today said.
"One research assistant was detained overnight and an intern was pressured to spy on us, and then forced to quit the internship when he refused to cooperate with the Public Security Bureau," another US media organization responded. Not one participant responded that conditions in China have improved. Tensions over press freedom reached a high point in 2014 as the government increased its control over foreign media coverage and continued to intervene in local news outlets... About 2/3 of respondents said they experienced interference, harassment or violence while attempting to report in China. Among them, 10% -- primarily TV journalists -- said they were subjected to manhandling or use of physical force. Attempts to cover the trial of New Citizens Movement leader Xu Zhiyong in Beijing in early 2014 resulted in multiple reports of physical violence.. http://cpj.org/blog/fccc_report_may_2014.pdf
The crises of Party culture become clear with a single glance. The CPC is called the ruling party, yet it operates according to secret party rules: this is an identity crisis. Its formal ceremonies and slogans are like those of an extremist church, and it has long lost its utopian doctrine that stirred the passion of the people: this is an ideological crisis. It tells beautiful lies while accepting bribes and keeping mistresses: this is a moral crisis. The totalitarian system is in the process of collapsing, yet political reform is not in the foreseeable future: this is a political crisis. It has corrupted traditional values and also rejected universal values, rendering Party members and government officials at a spiritual loss: this is a crisis of values.