The greatest photos ever? Why the moon landing shots are artistic masterpieces // 'We had 15 seconds of fuel left': Buzz Aldrin on the nervy moon landing

Fifty years ago this week, a former navy pilot created one of the most revolutionary artistic masterpieces of the 20th century, one we have yet to fully assimilate. His name was Neil Armstrong and his astonishing act of creativity is a photograph of his Apollo 11crewmate Buzz Aldrin standing on the Sea of Tranquillity on the moon. Not that you can see Aldrin’s face. His features and flesh are hidden inside a thickly padded white spacesuit, its visor reflecting the tiny figure of Armstrong himself, beside the gold-coloured legs of the lunar lander.
‘A triumph of human consciousness in an otherwise mindless universe’ … Neil Armstrong’s double-horizon shot of Buzz Aldrin.
NASA
This effacement of Aldrin came about because Apollo astronauts wore visors lined with gold to protect their eyes from sunlight. Yet these reflective qualities are part of what makes this such a powerful, complex image, one in which we can see two lunar horizons. Behind Aldrin, the moon’s bright surface recedes to a blue horizon against the black void of space. Meanwhile, reflected and warped by the helmet, the other horizon stretches away behind Armstrong. The photographer has incorporated the making of the image into the image, to tell the story of something new in the universe: two human beings looking at each other across the dusty surface of an alien world… 
‘A thrilling swirl of land, water and cloud’ … Earthrise by Apollo 8’s William Anders.
 AFP/Getty


'We had 15 seconds of fuel left': Buzz Aldrin on the nervy moon landing



Popular posts from this blog

Third degree torture used on Maruti workers: Rights body

Haruki Murakami: On seeing the 100% perfect girl one beautiful April morning

Albert Camus's lecture 'The Human Crisis', New York, March 1946. 'No cause justifies the murder of innocents'

The Almond Trees by Albert Camus (1940)

Etel Adnan - To Be In A Time Of War

After the Truth Shower

James Gilligan on Shame, Guilt and Violence