The Fall of the American Empire (Writ Small)
He was, in a sense, the real life military version of F. Scott Fitzgerald's Jay ("the Great") Gatsby, a man who made himself into the image of what he wanted to be and then convinced others that it was so.
So here you have it, the two paradigmatic figures of the closing of the "American Century": the president's son whose ambitions were stoked by Texas politics after years in the personal wilderness and the man who married the superintendent's daughter and rose like a meteor in a military that could never win a war. In the end... neither made it out of town before shame caught up with them. It's a measure of their importance, however, that Bush was finally put to flight by a global economic meltdown, Petraeus by the local sexual version of the same. Again, it's history vs. farce.. Or think of the Petraeus version of collapse as a tryout for the fall of the American empire, writ very small, with Jill Kelley and Paula Broadwell as our Gibbons and the volume of email, including military sexting, taking the place of his six volumes. A poster general for American decline, David Petraeus will be a footnote to history, a man out for himself who simply went a bridge or a book too far. George W. and crew were the real thing: genuine mad visionaries who simply mistook their dreams and fantasies for reality. But wasn't it fun while it lasted? Wasn't it a blast to occupy Washington, be treated as a demi-god, go to Pirate-themed parties in Tampa with a 28-motorcycle police escort, and direct your own biography... even if it did end as Fifty Shades of Khaki?
History, it is said, arrives first as tragedy, then as farce. First as Karl Marx, then as the Marx Brothers. In the case of twenty-first century America, history arrived first as George W. Bush (and Dick Cheney and Donald Rumsfeld and Paul Wolfowitz and Douglas Feith and the Project for a New America -- a shadow government masquerading as a think tank -- and an assorted crew of ambitious neocons and neo-pundits); only later did David Petraeus make it onto the scene. It couldn't be clearer now that, from the shirtless FBI agent to the "embedded" biographer and the"other other woman," the "fall" of David Petraeus is playing out as farce of the first order. What's less obvious is that Petraeus, America's military golden boy and Caesar of celebrity, was always smoke and mirrors, always the farce, even if the denizens of Washington didn't know it.
So here you have it, the two paradigmatic figures of the closing of the "American Century": the president's son whose ambitions were stoked by Texas politics after years in the personal wilderness and the man who married the superintendent's daughter and rose like a meteor in a military that could never win a war. In the end... neither made it out of town before shame caught up with them. It's a measure of their importance, however, that Bush was finally put to flight by a global economic meltdown, Petraeus by the local sexual version of the same. Again, it's history vs. farce.. Or think of the Petraeus version of collapse as a tryout for the fall of the American empire, writ very small, with Jill Kelley and Paula Broadwell as our Gibbons and the volume of email, including military sexting, taking the place of his six volumes. A poster general for American decline, David Petraeus will be a footnote to history, a man out for himself who simply went a bridge or a book too far. George W. and crew were the real thing: genuine mad visionaries who simply mistook their dreams and fantasies for reality. But wasn't it fun while it lasted? Wasn't it a blast to occupy Washington, be treated as a demi-god, go to Pirate-themed parties in Tampa with a 28-motorcycle police escort, and direct your own biography... even if it did end as Fifty Shades of Khaki?
History, it is said, arrives first as tragedy, then as farce. First as Karl Marx, then as the Marx Brothers. In the case of twenty-first century America, history arrived first as George W. Bush (and Dick Cheney and Donald Rumsfeld and Paul Wolfowitz and Douglas Feith and the Project for a New America -- a shadow government masquerading as a think tank -- and an assorted crew of ambitious neocons and neo-pundits); only later did David Petraeus make it onto the scene. It couldn't be clearer now that, from the shirtless FBI agent to the "embedded" biographer and the"other other woman," the "fall" of David Petraeus is playing out as farce of the first order. What's less obvious is that Petraeus, America's military golden boy and Caesar of celebrity, was always smoke and mirrors, always the farce, even if the denizens of Washington didn't know it.
Until recently, here was the open secret of Petraeus's life: he may not have understood Iraqis or Afghans, but no military man in generations more intuitively grasped how to flatter and charm American reporters, pundits, and politicians into praising him. This was, after all, the general who got his first Newsweekcover ("Can This Man Save Iraq?") in 2004 while he was making a mess of a training program for Iraqi security forces, and two more before that magazine, too, took the fall. In 2007, he was a runner-up to Vladimir Putin for TIME's "Person of the Year." And long before Paula Broadwell's aptly named biography,All In, was published to hosannas from the usual elite crew, that was par for the course.
You didn't need special insider's access to know that Broadwell wasn't the only one with whom the general did calisthenics. The FBI didn't need to investigate. Even before she came on the scene, scads of columnists, pundits, reporters, and politicians were in bed with him. And weirdly enough, many of them still are. (Typical was NBC Nightly News anchor Brian Williams mournfully discussing the "painful" resignation of "Dave" -- "the most prominent and best known general of the modern era.") Adoring media people treated him like the next military Messiah, a combination of Alexander the Great, Napoleon, and Ulysses S. Grant rolled into one fabulous piñata. It's a safe bet that no general of our era, perhaps of any American era, has had so many glowing adjectives attached to his name.
Perhaps Petraeus's single most insightful moment, capturing both the tragedy and the farce to come, occurred during the 2003 invasion of Iraq. He was commanding the 101st Airborne on its drive to Baghdad, and even then was inviting reporters to spend time with him. At some point, he said to journalist Rick Atkinson, "Tell me how this ends." Now, of course, we know: in farce and not well.
For weeks, the news has been filled with his ever-expanding story, including private rivalries, pirate-themed parties, conspiracy theories run wild, and investigations inside investigations inside investigations. It's lacked nothing an all-American twenty-first-century media needs to glue eyeballs. Jill Kelley, the Tampa socialite whose online life started the ball rolling and ended up embroiling two American four-star generals in Internet hell, evidently wrote enough emails a day to stagger the imagination. But she was a piker compared to the millions of words that followed from reporters, pundits, observers, retired military figures, everyone and anyone who had ever had an encounter with or a thought about Petraeus, his biographer-cum-lover Paula Broadwell, Afghan War Commander General John Allen, and the rest of an ever-expanding cast of characters. Think of it as the Fall of the House of Gusher.
Here was the odd thing: none of David Petraeus's "achievements" outlasted his presence on the scene. Still, give him credit. He was a prodigious campaigner and a thoroughly modern general. From Baghdad to Kabul, no one was better at rolling out a media blitzkrieg back in the U.S. in which he himself would guide Americans through the fine points of his own war-making. Where, once upon a time, victorious commanders had to take an enemy capital or accept the surrender of an opposing army, David Petraeus conquered Washington, something even Robert E. Lee couldn't do. Until he made the mistake of recruiting his own "biographer" (and lover), he proved a PR prodigy. He was, in a sense, the real life military version of F. Scott Fitzgerald's Jay ("the Great") Gatsby, a man who made himself into the image of what he wanted to be and then convinced others that it was so... Read more:
http://rsnorg.org/opinion2/277-75/14667-focus-fall-of-the-american-empire-writ-small