Joyce Carol Oates: Tragic Rites in Dostoyevsky's The Possessed
You see, it is just like our Russia. Those devils or demons
coming out of the sick and entering into the swine - they are all the festering
sores, all the poisonous vapors, all the filth, all the demons and the petty
devils accumulated for centuries and centuries in our great, dear, sick
Russia…. But the Great Idea and the Great Will protects her from up above, just
as it did that other madman possessed by demons, and all those demons, all that
filth festering on the surface, will themselves beg to be allowed to enter the
swine. Indeed, they may have entered them already! It’s us, us and
the others - my son Peter and those around him, and we’ll hurl ourselves from the
cliff into the sea, and I’ll be the first perhaps, and all of us, mad and
raving, will drown and it will serve us right because that’s all we’re fit for.
But the sick man will recover and will sit at the feet of Jesus. . . .
Tragic Rites in Dostoyevsky's The Possessed
Somehow it has happened—no one knows quite how, or why—that the incidence of violence and robbery has doubled. Arsonists’ fires have ravaged towns and villages, and in some places there is even disease: plague, and the threat of a cholera epidemic. The manager of a factory in the town of Shpigulin has shamelessly cheated the workers, and working conditions are very poor; subversive leaflets have appeared, urging the overthrow of the existing order; the idle, prankish company that routinely gathers in the Governor’s mansion is becoming involved in adventures of an increasingly reckless kind. (They are called the Jeerers or the Tormentors.) The historic Church of the Nativity of Our Lady is plundered and a live mouse left behind the broken glass of the icon. Fedka, the escaped convict, a former serf who was sold into the army, many years before, in order to pay his master’s gambling debt, roams the countryside committing crimes—not just robbery but arson and murder as well.
The police seem unable to find him. “Strange characters” appear—a human flotsam that comes out of nowhere to plague society. Madmen erupt. Women become obsessed with feminism. Generals transform themselves into lawyers, divinity students speak out rudely, poets dress themselves in peasant costumes. The son of the province’s most wealthy landowner has contracted a marriage in jest, it would seem, after a night of drinking—with a woman of the very lowest social order, who is both lame and demented. A nineteen-year-old boy has committed suicide and a party of pleasure-seekers crowds into the room to examine him: one of the ladies says, “I’m so bored with everything that I can’t afford to be too fussy about entertainment - anything will do as long as it’s amusing.”
It seems that a number of people in the area have taken to hanging and shooting themselves. Is the ground suddenly starting to slip from beneath our feet? Is the great country of Russia as a whole approaching a crisis? Demons begin to appear, licking like flames about the foundations of order; a Trickster-Demon springs out of nowhere and, very much like the gloating Dionysus of Euripides’ The Bacchae, wants only to sow disruption, madness, and death. “We shall proclaim destruction,” Peter Verkhovensky tells his idol Stavrogin, “because - because . . . the idea is so attractive for some reason! And anyway, we need some exercise.”
The Possessed, Dostoyevsky’s most confused and
violent novel, and his most satisfactorily “tragic” work, began to appear in
serial form in 1871, close after the publication of The Idiot, and
only a few years after the publication of Crime and Punishment in
1867. All of Dostoyevsky’s great novels show a family resemblance, just as his
marvelous operatic characters are obviously kin and might, without much
difficulty, stride from one novel to another; but the demonic excesses of The
Possessed seem to have sprung from the “plague” of which Raskolnikov
dreams at the very conclusion of Crime and Punishment, when he
is imprisoned in Siberia, a confessed but not truly repentant murderer….
https://celestialtimepiece.com/2015/01/28/tragic-rites-in-dostoyevskys-the-possessed/
