The Fading Stars: How the new astronomy obscured the traditional night sky. By Holly Haworth


More than four hundred years ago, around 13.8 billion years after the beginning of the universe, in September 1608, a Dutchman from Zeeland came to The Hague announcing he’d invented an instrument “by means of which all things at a very great distance can be seen as if they were nearby.” 

The prospect was thrilling. European explorers had spent centuries crossing wide oceans in hopes of finding distant lands to claim for their countries, and they were doing so with increased fervor - bringing the resources of faraway places closer to home by establishing trade routes; collapsing cultural distance by eradicating languages, religious practices, ceremonies, myths, and stories; forcing distant others to charade as Europeans with imposed cosmologies and worldviews - since Christopher Columbus had pulled a new world closer, 116 years before the seeing instrument was introduced.

The soldiers who were convened at The Hague that day seized on it as a way to spot enemies on the horizon. They were gathered to talk about independence of the Dutch Republic from Spain’s control, and they paused to consider the arrival of the new contraption. The commander of the Spanish forces said to the commander of the Dutch Republic, “I could no longer be safe, for you will see me from afar.” Ship captains of every European nation would soon have an instrument to spy on one another, to bring distant lands into focus.

News of a “spyglass” reached Galileo Galilei, a professor of mathematics at the University of Padua, in the spring of 1609, when a friend shared with him a description of the invention. Galileo worked out how to make one for himself from a tube and two lenses. But instead of pointing it horizontally to look for enemies, he canted it upward to spy on the faraway night sky. At once, it gave up some deep, dark secrets about the moon, that nearest object to us which had in many cultures been an orbed goddess or the home of one. According to church doctrine and Aristotelian philosophy, it was an immaculate heavenly body—perfectly smooth, perfectly spherical. But what Galileo saw instead were shadows signaling rifts, craters, and mountains. It was not goddess-like but rather a body of rock with topography, an object of scientific study that might be mapped and surveyed.

This moon had already lived ten thousand lives. Hawaiians - not yet “discovered” by Captain James Cook, who would arrive with a telescope in hand in 1778 - had thirty different names for it, in accordance with the phases of its cycle, such names as Hilo, “faint thread”; Hoaka, “arch over the door”; Mohalu, “unfold like a flower”; Akua, “god,” for the full moon; and Mauli, meaning “ghost” or “last breath,” for the waning crescent. This same moon was for the Japanese what held the waters of life (silimizi) and the waters of rejuvenation (bakamizi). 

The same moon that a woman in the Congo 37,000 years ago kept track of by etching notches into a baboon fibula. Moon that for the Yakuts had taken in a young orphan girl as she fetched water with her yoke and pails. Moon that for the Maya a rabbit lived in. Moon that an old man lived in. Moon that had through it all ruled the tides and thus the ocean and all waters of the planet. Moon the cycles by which all cultures always had planted, fished, traveled, harvested, and hunted. Moon that was alive to the faraway eye until men would come to walk on it, imprint its fine untouched dust with their boot soles, plant the American flag to proclaim it—360 years after Galileo first spied it, 4.5 billion years into its existence—desolate, dead, a once mysterious place finally conquered by knowledge. One giant leap for mankind… read more:
https://www.laphamsquarterly.org/night/fading-stars-constellation



Popular posts from this blog

Third degree torture used on Maruti workers: Rights body

Haruki Murakami: On seeing the 100% perfect girl one beautiful April morning

Albert Camus's lecture 'The Human Crisis', New York, March 1946. 'No cause justifies the murder of innocents'

The Almond Trees by Albert Camus (1940)

Etel Adnan - To Be In A Time Of War

After the Truth Shower

Rudyard Kipling: critical essay by George Orwell (1942)