John Steinbeck: A flawed genius. By Martin Chilton

It’s the 50th anniversary of the death of Steinbeck, the subject of a new biography in 2019. The Nobel Prize-winning author of The Grapes of Wrath was a complicated and controversial man. 
He died on December 20, 1968

“I know of no sadder people than those who believe their own publicity”
... After a series of well-received novels, including 1935’s Tortilla Flat, Steinbeck won critical acclaim in 1937 for his novella Of Mice and Men, the moving portrait-in-miniature of 1930s California, seen through the friendship of oddball ranch workers George and Lennie. Two years later came The Grapes of Wrath, one of the defining novels of the 20th century, a work of rich descriptive power, in which Steinbeck showed his ability to summon poetry out of poverty in the lives of the “Okie” Joad family. This deeply affecting story about the oppression of migrant workers, who were fleeing from the Dust Bowl states to California, struck a chord with an America reeling from the Great Depression. 

By February 1940, the novel was in its 11th printing, having sold nearly half a million copies. More than 15 million copies were bought in the next eight decades and around 50,000 copies are still bought in America every year. The impact of Steinbeck’s work on the American people was momentous. When I met the singer and actor Harry Belafonte, he told me Steinbeck “was one of the people who turned my life around as a young man”, inspiring “a lifelong love of literature”. Arthur Miller wrote of Steinbeck, “I can’t think of another American writer, with the possible exception of Mark Twain, who so deeply penetrated the political life of the country.”
The 1940 film adaptation of the novel, starring Henry Fonda, is considered a Hollywood classic. Only a bitter legal dispute over the writer’s estate (between Steinbeck’s stepdaughter Waverly Scott Kaffaga and his daughter-in-law Gail Steinbeck) prevented Steven Spielberg from going ahead with his proposed remake of the movie in 2017.

Steinbeck rarely gave interviews, but in 1952 he spoke to the radio network Voice of America about how he had been “filled with anger” at the ill-treatment of migrant workers. “People were starving and cold and they came in their thousands to California,” Steinbeck said. “They met a people who were terrified of Depression and were horrified at the idea that great numbers of indigent people were being poured on them to be taken care of when there wasn’t much money about. They became angry at these newcomers. Gradually, through government and through the work of private citizens, agencies were set up to take care of these situations. Only then did the anger begin to decrease and when the anger decreased, these two sides got to know each other and they found they didn’t dislike each other at all.”

Many years later, it emerged that the FBI file had begun to keep files on the writer at this time, justifying it with claims that “many of Steinbeck’s writings portrayed an extremely sordid and poverty-stricken side of American life”. Thankfully, more enlightened minds than FBI director J Edgar Hoover were in positions of influence when Steinbeck won literature’s most illustrious award. It is notable that the Nobel committee praised his “keen social perception”.

The Grapes of Wrath was making Steinbeck world famous just as the 41-year-old began to fall for a 22-year-old nightclub singer called Gwyn Conger, whom he married in 1943. Three decades later, as a divorcee in her late fifties, Conger gave a series of interviews in Palm Springs to a show business writer called Douglas Brown. These interviews remained unpublished for more than four decades, until they were discovered in a loft in Wales in 2017... read more:
https://www.independent.co.uk/arts-entertainment/books/features/john-steinbeck-author-anniversary-death-of-mice-and-men-grapes-wrath-east-eden-a8690851.html

Ten years before his death, this conflicted genius wrote a memorable letter to Thomas Steinbeck (the full version is available here), after his 14-year-old son revealed he had fallen desperately in love with a girl named Susan. 

“There are several kinds of love,” he wrote, signing the letter as “Fa”. “One is a selfish, mean, grasping, egotistical thing which uses love for self-importance. This is the ugly and crippling kind. The other is an outpouring of everything good in you – of kindness and consideration and respect – not only the social respect of manners but the greater respect which is recognition of another person as unique and valuable. The first kind can make you sick and small and weak but the second can release in you strength, and courage and goodness and even wisdom you didn’t know you had … don’t worry about losing. If it is right, it happens – the main thing is not to hurry. Nothing good gets away.”

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