Peter Bradshaw - The racialisation of American justice

The Selma director’s radical documentary argues that America’s 13th constitutional amendment perpetuated a link between prison and slavery.. Ava DuVernay, director of the Martin Luther King drama Selma, has made a fiercely radical documentary for Netflix in sympathy with the Black Lives Matter movement. Her film argues that America’s incarceration of black men is a phenomenon with its roots in slavery, and that the resemblances are not minor or ironic echoes but symptoms of the same structural cause. Ironically, it is about the 13th constitutional amendment, which abolished slavery and the state’s right to deprive a person of liberty but with the specific exception of “criminals”, thus forging a link in the judicial mindset between imprisonment and slavery. 

It is an attitude that persists into the Jim Crow era, the Nixon/Reagan wars on crime and drugs, the Clinton three-strikes rule … and beyond. The state’s punitive energies were always targeted at the poorest, the least able to pay bail, the likeliest to be involved in crime and the most liable to have their protest criminalised. It’s like taking the Matrix red pill when you listen to statements from Nixon aide John Ehrlichman and Reagan consigliere Lee Atwater making it clear that attacks on “drugs” and “crime” are euphemisms for race. 

And with private firms running jails and lobbying Washington, black males have become raw material for a corporate legal industry. An intensely angry and persuasive piece of film-making, though maybe letting Bill and Hillary off the hook, a little bit….


Popular posts from this blog

Third degree torture used on Maruti workers: Rights body

Haruki Murakami: On seeing the 100% perfect girl one beautiful April morning

The Almond Trees by Albert Camus (1940)

Albert Camus's lecture 'The Human Crisis', New York, March 1946. 'No cause justifies the murder of innocents'

Etel Adnan - To Be In A Time Of War

After the Truth Shower

Rudyard Kipling: critical essay by George Orwell (1942)