What kind of a man was Shakespeare?
I've always thought," says Simon Callow ruminatively, "that Shakespeare was the kind of guy who goes to a party, nurses one glass, says nothing, and goes home with the prettiest girl in the room." I imagine 1,000 biographers keeling over in horror. But Callow isn't joking. His new one-man show, which debuted last year in Edinburgh and is about to open at Trafalgar Studios in London, brings audiences face to face with the middle-class Midlands boy who grew up to be the world's most famous writer. The title is serious enough: it's called Being Shakespeare. There is, however, a rival Bard in town. At the Young Vic, Patrick Stewart is reviving his performance as the playwright in Edward Bond's 1973 play Bingo – a revival that one critic praised for its "truly Shakespearian greatness". The Bardic battle is on: if they feel so inclined, Londoners will be able to do a direct compare-and-contrast. Fictional representations of Shakespeare aren'